Mark Uriu originally trained as a fine artist, and it shows: He specializes in the specific, from faux finishes (trompe l’oeil, faux marble) and gilding to distressed wall finishes. He was also recommended five times over — Spencer Bailey and Andrew Zuckerman, the co-founders of the Slowdown, describe him as “the go-to in certain high-end architect circles,” and architect Stephanie Goto, who has designed spaces for the Calder Foundation and Hauser & Wirth, says, “He is one of these people we never speak about but is integral to our practice.” Writer Zibby Owens told us Uriu painted her childhood bedroom in a light-blue sponge design she was so obsessed with that years later, she hired him to paint her entire Upper East Side apartment. When they got to her kitchen, she handed him and his partner a spatterware place mat as inspiration. “They used a little brush to painstakingly mimic splatter paint,” she says. “My kids and I sat around and watched — it was like watching Jackson Pollock.”
I had the best experience with Paintzen. They were easy to communicate with during the quote process. I had two small projects to hang wallpaper on accent walls in two separate rooms and they gave us a fair quote. They were timely and did a stellar job! I was worried about the installation because the wallpaper prints I chose had complicated patterns, but their attention to detail and making sure the patterns lined up was excellent, it looks seamless!
New Yorkers know style perhaps better than anyone else, which is why wallpaper is making a big comeback in both modern and traditional-style New York homes. There’s no limit to what you can do with wallpaper in the city when you apply designs that feature stunning cityscapes, iconic historical landmarks, sleek lines, or era-specific patterns. In New York, you can also choose textured wall coverings that add dimension and drama to your walls in a way that paint alone simply can’t.
Architect Peter Feigenbaum found Jonathan Barsness’s name on a painter forum on Brownstoner. A litany of positive reviews (from one: “does good work — and I’m fussy”) convinced Feigenbaum to book him to repaint a spare room in his Williamsburg apartment. The walls had “a lot of patch marks and chips and were an especially ugly color: mustard yellow,” says Feigenbaum. “After Barsness came, all the old crusty bits miraculously disappeared, and the questionable paint-color choice was replaced with relaxing grays.” Barsness’s precision and (relatively) low pricing (small rooms, like a nursery, start at $500, while a bedroom in a brownstone with tall ceilings and historic molding may start at $2,000) mean his customers tend to come back over and over — like Feigenbaum. “He doesn’t need a lot of hand-holding,” he says. “I’ll hand him a swatch, leave him a key, and he takes it from there.”
Mark Uriu originally trained as a fine artist, and it shows: He specializes in the specific, from faux finishes (trompe l’oeil, faux marble) and gilding to distressed wall finishes. He was also recommended five times over — Spencer Bailey and Andrew Zuckerman, the co-founders of the Slowdown, describe him as “the go-to in certain high-end architect circles,” and architect Stephanie Goto, who has designed spaces for the Calder Foundation and Hauser & Wirth, says, “He is one of these people we never speak about but is integral to our practice.” Writer Zibby Owens told us Uriu painted her childhood bedroom in a light-blue sponge design she was so obsessed with that years later, she hired him to paint her entire Upper East Side apartment. When they got to her kitchen, she handed him and his partner a spatterware place mat as inspiration. “They used a little brush to painstakingly mimic splatter paint,” she says. “My kids and I sat around and watched — it was like watching Jackson Pollock.”
Condo and townhome owners in NYC often look to update their living spaces with new paint in colors that better suit their personalities, lifestyles, and existing furnishings. Meanwhile, lofts and studios are favorite living quarters of NYC artists, who may be very skilled with a paintbrush on canvas but can benefit from a little professional help with painting the high ceilings and tight spaces in their homes.
Musician, painter, and contractor Tony Jarvis has typically met his clients during downtown gigs. He painted, for instance, the Great Jones Street loft of Robert Becker, the arts editor at Interview magazine in the ’80s, as well as the apartment of Simon Hammerstein, founder of Lower East Side club the Box (Jarvis played there five nights a week for two years when it first opened). And twice Jarvis has used more than a dozen shades of purple to paint a client’s Central Park South home. Sleep No More producer Arthur Karpati — whose home Jarvis painted with a variety of blues and grays — says he is “especially good at making colors work with each other.” Satu and Celeste Greenberg, the sibling owners of Tuleste Factory, say Jarvis is “our first recommendation when anyone needs interior or exterior painting or finish work. When he did our gallery space, he recommended painting our floors with an outdoor black paint instead of a traditional gallery white, and it transformed our sad, worn hardwood floors entirely.” A fringe benefit, his clients say, is that Jarvis can double as a contractor if you need some custom millwork done, kitchen tiles installed, or a wall taken down. “We recently referred Tony for a project in Tribeca [that entailed] some beautiful wall treatments with textured paint, plus finishing work on closets and installing a fairly complicated Lutron lighting system,” Satu Greenberg says (from $1,500 per room, which includes materials).
New Yorkers are notoriously busy people with too much to do and too little time. Fortunately, Paintzen makes quality house painting easy by offering fast and free digital quotes without a walkthrough. This way, you can make home update decisions when its convenient for you and then have our licensed, insured and certified crews come out within 72 hours.
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