Architect Peter Feigenbaum found Jonathan Barsness’s name on a painter forum on Brownstoner. A litany of positive reviews (from one: “does good work — and I’m fussy”) convinced Feigenbaum to book him to repaint a spare room in his Williamsburg apartment. The walls had “a lot of patch marks and chips and were an especially ugly color: mustard yellow,” says Feigenbaum. “After Barsness came, all the old crusty bits miraculously disappeared, and the questionable paint-color choice was replaced with relaxing grays.” Barsness’s precision and (relatively) low pricing (small rooms, like a nursery, start at $500, while a bedroom in a brownstone with tall ceilings and historic molding may start at $2,000) mean his customers tend to come back over and over — like Feigenbaum. “He doesn’t need a lot of hand-holding,” he says. “I’ll hand him a swatch, leave him a key, and he takes it from there.”
New Yorkers know style perhaps better than anyone else, which is why wallpaper is making a big comeback in both modern and traditional-style New York homes. There’s no limit to what you can do with wallpaper in the city when you apply designs that feature stunning cityscapes, iconic historical landmarks, sleek lines, or era-specific patterns. In New York, you can also choose textured wall coverings that add dimension and drama to your walls in a way that paint alone simply can’t.
House (Residential) Painters... Doing your work on a "handshake" or doing your work using "generic" bid, Invoice or Proposal forms can work as long as there are no problems with the customer. It's a bit like riding on bald tires, as long as there are no problems... you'll be OK... but if something happens, even some small thing while driving, those bald tires can leave you upside down in a ditch somewhere!
Mark Uriu originally trained as a fine artist, and it shows: He specializes in the specific, from faux finishes (trompe l’oeil, faux marble) and gilding to distressed wall finishes. He was also recommended five times over — Spencer Bailey and Andrew Zuckerman, the co-founders of the Slowdown, describe him as “the go-to in certain high-end architect circles,” and architect Stephanie Goto, who has designed spaces for the Calder Foundation and Hauser & Wirth, says, “He is one of these people we never speak about but is integral to our practice.” Writer Zibby Owens told us Uriu painted her childhood bedroom in a light-blue sponge design she was so obsessed with that years later, she hired him to paint her entire Upper East Side apartment. When they got to her kitchen, she handed him and his partner a spatterware place mat as inspiration. “They used a little brush to painstakingly mimic splatter paint,” she says. “My kids and I sat around and watched — it was like watching Jackson Pollock.”