In addition to our Airless-Spray Fine Finish Method that is applied through our sophisticated and highly expensive Machines, we make sure that every mandatory process is applied to the cabinets to make them more durable and last longer, and of course to receive the brand-new and smooth final finish. Processing includes the sanding of the wood, decrease and de-gloss, denoted alcohols, Air-Pressure Dust Removal, etc. as well as several times of sanding with 200-400-800 fine finish grits, in between each coat of Prime and Paints as well as sealants on the final topcoat.
Over the years, New York City has seen its share of hurricanes, blizzards, floods, tornadoes, droughts, and extreme temperatures. New Yorkers know that you have to be ready for anything to live here, which is also true for the exterior paint you choose. The Big Apple gets an average of 46.23 inches of rain per year and sees precipitation on about 121 days annually. Therefore, your exterior house paint needs to be as tough as you are so that you don’t need to call us back for touch-ups or repairs for a long time.
Condo and townhome owners in NYC often look to update their living spaces with new paint in colors that better suit their personalities, lifestyles, and existing furnishings. Meanwhile, lofts and studios are favorite living quarters of NYC artists, who may be very skilled with a paintbrush on canvas but can benefit from a little professional help with painting the high ceilings and tight spaces in their homes.
Mark Uriu originally trained as a fine artist, and it shows: He specializes in the specific, from faux finishes (trompe l’oeil, faux marble) and gilding to distressed wall finishes. He was also recommended five times over — Spencer Bailey and Andrew Zuckerman, the co-founders of the Slowdown, describe him as “the go-to in certain high-end architect circles,” and architect Stephanie Goto, who has designed spaces for the Calder Foundation and Hauser & Wirth, says, “He is one of these people we never speak about but is integral to our practice.” Writer Zibby Owens told us Uriu painted her childhood bedroom in a light-blue sponge design she was so obsessed with that years later, she hired him to paint her entire Upper East Side apartment. When they got to her kitchen, she handed him and his partner a spatterware place mat as inspiration. “They used a little brush to painstakingly mimic splatter paint,” she says. “My kids and I sat around and watched — it was like watching Jackson Pollock.”
Architect Peter Feigenbaum found Jonathan Barsness’s name on a painter forum on Brownstoner. A litany of positive reviews (from one: “does good work — and I’m fussy”) convinced Feigenbaum to book him to repaint a spare room in his Williamsburg apartment. The walls had “a lot of patch marks and chips and were an especially ugly color: mustard yellow,” says Feigenbaum. “After Barsness came, all the old crusty bits miraculously disappeared, and the questionable paint-color choice was replaced with relaxing grays.” Barsness’s precision and (relatively) low pricing (small rooms, like a nursery, start at $500, while a bedroom in a brownstone with tall ceilings and historic molding may start at $2,000) mean his customers tend to come back over and over — like Feigenbaum. “He doesn’t need a lot of hand-holding,” he says. “I’ll hand him a swatch, leave him a key, and he takes it from there.”